![]() The Princess Theatre, in Melbourne’s East End theatre district (a stunning partner, along with London’s Palace Theatre and the Lyric Theatre Broadway, to form the current exclusive triptych of theatres housing the show), is the home of all things Cursed Child for the next two years, at the very very least. So, obviously, Harry Potter and his buddies Ron Weasley and Hermione Granger mean a lot to me, and given the total awestruck silence across the Princess Theatre during all five-and-a-bit hours of the Melbourne-exclusive Harry Potter and the Cursed Child (split across Parts One and Two, in separate performances), they mean a lot to everyone else, as well. ![]() The films – split into eight instead of seven – are bringing in new fans all the time during this screenager era, although many of the films don’t hold a candle to the original books (cough, cough, Goblet of Fire). Rowling and John Tiffany – is part eight of the seven-book Harry Potter series, that anybody born in the 90s (like me) likely grew up reading and adoring. So, the question is, how does one review something that one feels like they’ve been awaiting their entire life? Harry Potter and the Cursed Child – the brainchild of Jack Thorne, based on a story by J.K.
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